"Never work with babies or animals"
That's what they always tell you.
Seems that's all I ever photograph. I love animals and kids I can relate to, but when you get a liquid flying through the air at speed, it might not always be the most persuasive subject.
Such was the case with this Deliotte campaign I photographed. Liquids demand a respect and a fast flash duration to freeze them in position. We luckily weren't shooting in my studio but instead had rented a large room in a local football club house. Myself, my assistant and a video crew set up our own individual lighting set ups; mine being Profoto strobes and theirs were HMI's for video.
I had the pole position for this day, the stills were going to run as a major campaign while the video was secondary. I brought along two different camera systems, a Canon 35mm and a Pentax 645z. The two mayor differences between the two were double the resolution with the Pentax at 50mp and a slower frame rate of 3 FPS opposed to 5 with the Canon. The Canon would give me a better chance to catch the moment but the Pentax would offer a greater depth of resolution.
We opted for the Pentax. I just had to release the shutter at the moment I needed.
After a few tests we were ready to test it on some unsuspecting Deloitte employees. We had Sean on one side and Mal on the other, ready with small plastic cups of thinned out latex paint. On my mark they would throw the paint towards the subject and I would catch the emotion as well as the paint as it hit the subject, sounds easy enough. We shot between roughly 20 images with each subject on the premise that we would probably comp together images to give us some more dramatic splashes. In the end it wasn't really needed as most of the final images went un retouched, just simple colour adjustments and tonal curves.
It was a great shoot and I'm sort of glad I wasn't around for the clean up afterwards (I was back at the office editing).
Scroll through to the end to see a slo motion iPhone video of one of the throws.